The extraordinary jadeite rough stone was carved into a treasure handed down from generation to generation. What did you see at first glance?

Here is a rough stone. It looks like it still has a little skin on it, but it has fallen off and is long. It is of very good quality and has color...

The next step is to trim the shape and remove the outermost part to see what to make. Below I will give you a full introduction to the entire process from rough jade to finished product.

After trimming, the material looks smooth and delicate, with a light and clear bottom, and the color is light on the top and dark on the bottom. Its disadvantage is that there are several cracks, and the cracks at the bottom are quite deep. Generally speaking, this piece of material is still relatively good. I wonder what kind of surprises the sculptor can bring us~

The boy worships Guanyin!

The next step is to test the carving skills of the sculptor. The carving must be careful and not sloppy. The carving material is a subtraction method. It is impossible to carve more and more. Therefore, when carving, you should think about the direction in advance before starting to carve. A good work always requires a long time of exploration, research, design, and creation...

After the carving is completed, the first thing you see is the rough piece that has not been polished. The carving master did not remove the skin of the bottom part of the material because it will be matched with a base, and keeping the skin can better protect the jade.

After polishing, looking at the details of Guanyin's face, head, and body, the face is full, the lines are smooth, the hair is obvious, and the carving is delicate. The overall feeling is grand and solemn.

The little boy looks white, plump and very cute. After carving and trimming, the cracks are no longer visible. It can be said that this work has been done very well, with almost meticulous details...

It has a strong sense of layering, moderate color depth, and is full of vitality. Adding a base to the work can better interpret the deep beauty of jade.

A dense bamboo forest and tender bamboo shoots are designed on the back, which contrasts with the design on the front. It does not appear monotonous, but forms a sharp contrast with the jade, and can also set off the spiritual state of the whole work.

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