The old material has a tighter structure and is more transparent, so it is less affected by external forces. Therefore, the interaction between the old jade and the human body is smaller and less. Therefore, the old jade is relatively stable. The window of this stone is very oily, but everyone who plays with stones knows that the window of old Burmese jade is not a myth, so the best position has been opened, and whether you can bet on the increase in price later depends on your own experience and luck. Processing is also a gamble, whether the sculptor has ideas, whether he can perform normally, whether the design is in place, and whether the carving is in place. The stone was left for almost half a year, and finally it was started. I still didn't cut it, and made the whole piece into a small ornament. The risk of the whole piece is that the yellow fog is not thick enough and the meat inside is not oily enough. No matter how you gamble, you have to gamble. This flaw is really hard to describe~ The finished product is the only criterion for testing whether it is successful or not. I am quite pleased that the final effect is acceptable. However, there were some twists and turns in the process. It has finally taken shape. You can judge for yourself how the result is. It would be a pity if the material was cut, but the whole piece still has the desired effect, let's enjoy it!
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