The jade brick material is carved alive by the master! !

Today, I will share with you the carving process of a brick material that has been transformed into a gorgeous one:

To be honest, this kind of material would not even be picked up if it was thrown on the roadside in the jade's place of origin. Anyone who sees it would just shake their head and turn away. Because the material is so bad, most jade carvers call it weird material. However, the quality of this weird material is extremely poor, and there are many black spots. It is not an exaggeration to call it brick material. Most people will disdain it.

Fortunately, it met a jade carver who was willing to spend time on it. One advantage of strange material is that it can allow the carver's thinking to be more imaginative. Because the material itself is not of high value, there is no need to worry about wasting the material. After a careful study of the original stone, the jade carver drew a draft on paper. In the distance, there were mountains with the sunrise, and in the near distance, Lao Tzu was holding a scripture and riding on a green ox, with a Tai Chi pattern behind him. The work was named "The Great Way is Infinite". The subject matter was three-dimensional and vivid, and it immediately came alive.

As the saying goes, even wild lilies have their spring, and brick materials will also turn over. Now that the design theme has been decided, it is time to test the jade carver's skills. After a round of carving, the rough draft of the work has been basically polished out. The ugly "brick material" that everyone disliked now has a traditional cultural beauty slowly emerging! .

The rough workpiece is finely polished and when these detailed works are completed, it is hard to imagine that it was made from the original black brick. It completed the transformation from "ugly duckling to white swan". The jade carver gave it a new life through bold design and exquisite carving skills.

Looking at the detailed picture, the clean white part of the jade is carved into Laozi, who is holding a scripture and riding on the back of a green ox. It looks three-dimensional and vivid, and the only emerald green part is used very cleverly.

The proportions of elements in the entire work are reasonably distributed, and the transition between black and white colors is smooth without any abruptness. In particular, the carving lines are smooth and stretched, completed in one go, showing the style of a master.

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